He explains that when she dies her beauty will be lost and worms will go through her. Marvell picks up this topic, as the speaker of the poem wants his mistress to stop thinking about what is going to happen in future and just enjoy the time they have together at that particular moment. And the speaker has clearly thrown out the fantasies and wishes of the previous scenes. In the first stanza, he claims that he has eternity to spend time courting and admiring his woman. Duffy is imagining time as a person and love as a beggar. The concept of the union of lovers is contrasted with the stark imagery of the union of worm and corpse, indicating that since death is inevitable, the postponement of earthly pleasures is a waste, not a virtue.
The speaker shifts his tone away from the gloominess of the second stanza to focus on empowering himself and his lady to live their lives to the fullest as partners in the battle against time. Even emotion is intellectualized here. By use of dramatic monologue, we see the events and other characters from the perspective of only this one person. Google Maps Some articles have Google Maps embedded in them. Detroit: Gale, Cengage Learning, 2008.
Only he wouldn't be looking for precious stones, he'd be complaining - perhaps unhappy with the distance between him and his lady. The second addresses the reality that everyone will die at some point. This is the primary reason I believe it is most suited to be in a college textbook. The Cambridge guide to literature in English. Wit, allusion and metaphor are all employed in what is a syllogism - a logical argument - that can be summed up in a short phrase: Life is too short, let's get it on before you and I decay. Initially, Marvell uses the metaphysical conceit to compliment the woman as a means of persuasion for intercourse. Marvell conjures up ethereal, tantalizingly beautiful images to flatter his mistress with an insincere exaggeration of her beauty and virtue.
It uses Petrarchan conventions in the greatly exaggerated metaphors to woo his mistress. Courtship is important today as it was in the 1600's. In front, of him there is the stillness, the barrenness of the eternity. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood, And you should, if you please, refuse Till the conversion of the Jews.
It is a beautiful story that makes us realize how human and feeble our existence really is, that no matter how powerful and mighty we think we are, we are nothing compare to time. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The poem shows the desire of a young man, trying to convince a woman to have sex with him, because her beauty is mortal and therefore they should undress immediately and love each other in a purely physical way. The writer then uses repetition once again to make sure he has still got his lover still connected to the letter. This poem uses many craftsmanship techniques such as structure, language and sounds, imagery, and movement. The narrator expresses that if he had eternal life he would wait for her forever and use the time to admire her beauty while she accepts him, and finally consummate their relationship 1.
Also, neither of the characters are named which adds to the drama of this scene, and the reader is eavesdropping on the conversations. Meter and Rhyme: The poem is written in iambic tetrameter, a meter featuring four sets of two syllables per line for a total of eight syllables per line. In the essay I will be looking at how both poems emphasise love but yet have very different approaches as in the coy mistress the persona is trapping his mistress into falling in love with him and uses… 809 Words 4 Pages Analysis of To His Coy Mistress by Andrew Marvell Andrew Marvell's elaborate sixteenth century carpe diem poem, 'To His Coy Mistress', not only speaks to his coy mistress, but also to the reader. It tells us how on his way to the fair he was attracted by various things such as toys, sweetmeat, balloons and birds, butterflies and flowers. This paradox is perplexing, because why make the sun run when the speaker is trying to have as much time as possible for their love to prevail? Throughout the poem, the speaker seems to be wooing a somewhat unwilling lover. But the woman is being coy and playing coy games. The writer then even starts to make fun of his lover and gets quite aggressive towards her.
Marvell, the metaphysical poet, who carried the school of Donne to its zenith, uses all the ingenuous resources to present the carpediem theme of the conquest of time through intense enjoyment. Unless you are signed in to a HubPages account, all personally identifiable information is anonymized. The general structure of the argument is an analysis of the relationship between time and love as an effort to manipulate the emotions of the mistress and force her into a quick decision to engage in a sexual relationship. The purpose of this poem is to show that some people will do or say anything just so they get what they want. In the last part of the poem, the writer tries to think of different ways to have sex, to make sure that she takes notice. With this craftily applied offering of honest and distinguishable images, it lends credence to the first part of the poem where the imagery was far more insincere and capricious. The metaphysical poets, Marvellin particular, were renowned for their distinctive use of imagery, known as conceits.
Conceits are the intense and elaborate parallels which amaze the readers by their ingenuity and appropriateness in spite of the seeming differences. There is a relaxed tone to these lines, spiced with hyperbole and allusion. Here he is describing how slow they could move… 1628 Words 7 Pages To His Coy Mistress by Andrew Marvell It is a metaphysical poem, which means its lyric contains many striking images, is very intense and uses strong metaphors. A man wants to seduce a woman very badly and Marvell does an excellent job using figurative language for the man to get his point across. Cost accounting measures and records costs individually then compare the input results via. The metaphysical poets were men of learning, and, to show their learning was their whole endeavour; but, unluckily resolving to show it in rhyme, instead of writing poetry, they only wrote verses, and, very often, such verses as stood the trial of the finger better than of the ear; for the modulation was so imperfect, that they were only found to be verses by counting the syllables… The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtilty surprises; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased. In the second stanza, the mood of the poem swings abruptly.