Iago starts asking vague but leading questions about Cassio, until Othello finally demands that Iago make clear his suspicions. Desdemona comes to call Othello to dinner. Roderigo is downcast and talks of drowning himself. The Duke agrees, indicating that someone will be appointed the next morning to escort Desdemona and deliver Othello's 'commission. Iago manipulates Cassio, Roderigo, Emilia, and Othello, useing a variety of methods. As he is charged with using magic, he will tell what magic he used, knowing that he used none.
To all of this, Roderigo answers with a question for Iago,. It is so typical of Iago to make sure a comment which absolutely describes his motives but covers it to appear have some moral conscious. Iago sends Emilia out to speak with him, and she reports that Desdemona and Othello are discussing the events of last night. Othello's defense speech is in two parts: the first 76-93 establishes him as a soldier successful in the service of Venice and respectful of the great men of the city, and the second 127-169 describes how stories of his adventures won Desdemona's interest and then her love. Iago feels hurt and betrayed, and realizes. Before considering the importance of Iagos words, it is important to define what jealousy means. By comparing his rage to the strong current of the violent black sea, it conveys that his course of revenge must be carried out.
This is prompted by Brabantio's accusation that Othello has stolen his daughter, Desdemona, by use of spells and potions bought from charlatans. Iago then proceeds to expound on the ability of reason which is not quite the same thing as will to control our natural impulses. Othello is deeply insecure about his personal qualities and his marriage, which weakens his sense of self. He gets Othello to demand he tells him what is on his mind. Reputation and honor: Iago shows how reputation and honor, which are usually linked, can be separated this links to appearance and reality. Iago promises to work everything out from there.
This military meeting is interrupted by the arrival of Brabanzio, Othello, Cassio, Iago, Roderigo, and officers. At this point Shakespeare breaks off Othello's awaited speech for Brabantio's reflections on Desdemona and a discussion of court procedure. The scene concludes with the Venetian senator beginning the search for his daughter. Defensive actions will be necessary. He says that he will take Roderigo's money, and decides that he will convince Othello that Cassio is having an affair with Desdemona, and in so doing also get the position of lieutenant.
Iago, because he hates Othello, says he will help Roderigo have Desdemona and reminds Roderigo to bring plenty of money. Brabantio asks his daughter to whom she owes obedience. Othello's pride first becomes visible here; he is exceptionally proud of his achievements and his public stature, and pride is an overarching theme of Othello's story. At this point, the Duke notices Brabantio, who believes that his daughter has been corrupted with magic potions because, according to him, she wound never willingly marry such a man as she did. She reveals that Iago has been asking her to steal it. Scene ii: Othello sends Iago to take care of some official business, and tells him to meet him later to inspect some fortifications.
Just then, Othello and Iago enter. He notes that there are rumors that Othello has slept with his wife, Emilia, and while he isn't at all sure that the rumors are true, he'll act as if they're true. His language shows his pride in his achievements, and also allows him to make himself into a kind of hero. Aside from her recent marriage, there is no indication that she even knows who he is, while it is revealed that Brabanzio refused his marriage-request, an important relationship factor in world of the play even though this is not aceded to by Othello it was still taken as a societal ritual. Iago mocks Roderigo for such silly sentimentality. Already, the racial issues and themes at the core of Othello are beginning to surface.
Othello, Roderigo, and Cassio do have vices that they allow to grow in themselves, but they also have aspects of themselves which balance these vices out. She does not appear to have any malicious intentions or be a part of her plot for revenge; in fact she is rather distrustful of her husband. GradeSaver, 29 September 2014 Web. Roderigo should also disguise himself in a false beard and go to Cyprus because Othello and Desdemona will fall out of love as quickly as they fell in. The juxtaposition of black and white, light and dark shows up again and again in the play, as the colors become symbolic within the story. Othello must go immediately to Cyprus to command its defense, and Desdemona requests to go as well. The devil often takes disguises, just as Iago does.
They are packed with irony and provide, in part, an example of dramatic presaging. The theme of revenge is the motivation of Iago's hatred toward Othello. Brabantio apologizes, stating that his attention was consumed with the loss of his daughter, 'now dead' to him, because she has eloped with Othello, whom he accuses of using 'witchcraft' to overcome her natural resistance. Then Othello promises to tell the story of their mutual love as honestly as he confesses his sins to heaven. Othello questions his wife about where her handkerchief if, but she cannot find it.